A collection of digital items such as images, videos, audios, documents, does not constitute an exhibition: only when the items are carefully selected to illustrate a topic, and are tied together in a narrative or a logical itinerary, they constitute a digital exhibition. Digital exhibitions can be edited in such a way that they can provide alternative or denser experiences to the real event, involving the user in a process of discovery, knowledge acquisition, and learning of tangible and intangible cultural heritage. In 2011, the Italian Ministry for Cultural Heritage edited guidelines for realising digital exhibitions, a handbook successfully translated in English and even in Arabic. Afterwards, thanks to a funding by Fondazione Telecom Italia, ICCU, a central institute of the Ministry, coordinated the development of the open source tool MOVIO, which allows cultural institutions to edit digital exhibitions as well as to tell digital stories. The tool, realised by GruppoMeta, supports multilingualism in the back and front-end. The curator may edit the contents using different tools integrated in the software: media archive, ontology builder, storyteller, different types of image galleries, hotspots, maps, timeline, etc. The kit can be easily used by GLAMs to realise digital exhibitions in order to valorise intangible cultural heritage. During AthenaPlus1 , a European funded project coordinated by ICCU and composed by 40 partners from 21 Member States, MOVIO is further developed in order to include tools, which will facilitate the reuse of content in the field of education and tourism. It will also include a Europeana API, which will be the base to allow digital curators to enrich content.